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An ivy covered house, a garden in summer and rooms with space to settle introduce Quiet Country Living. This Edward George concept explores the character of an English country home through natural materials, gentle light and a close relationship with its surroundings. The film offers an introduction; the complete gallery reveals the details behind that first impression.
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Climbing greenery softens the stone facade, while a projecting bay brings the house towards the terrace. The wider views place it within a canopy of mature trees. At a smaller scale, a weathered urn and loose planting give the garden depth, carrying the same sense of time into the foreground.


A low green sofa leaves the windows clear, allowing the garden to remain part of the sitting room. Pale walls and a stone coffee table balance the darker furniture. The dining views extend the composition through broad openings, with timber, leather and restrained lighting giving the connected spaces a shared language.



Deep red shelving and a carved fireplace give the library a more enclosed character. Books bring texture to the walls; a leather chair and green sofa make the room feel ready to use. The closer fireplace view draws attention to the contrast between pale carving, dark iron and the warmth of the fire.


Exposed timber, pale stone and simple cabinetry set the tone in the kitchen. The island holds the centre without closing the view towards the window. Rather than adding more decorative layers, the concept lets the grain of the beams, the worktop edges and the changing daylight give the room its interest.

The principal bedroom uses soft upholstery and warm timber to keep the composition restful. A window seat and a separate alcove offer smaller places to sit, each with daylight close at hand. Those quieter views are part of the home’s character, giving attention to how a room might be enjoyed between its main uses.



Muted green tiles and a pale freestanding bath bring a familiar country palette into the bathroom. The window keeps the garden present, while the vanity study introduces a more crafted rhythm through fluted timber and paired stone basins. Warm wall lights give definition to the mirror and fittings.


Beneath the roof, the attic study pairs a long timber desk with a generous sofa. A rooflight washes the stone wall and beams with natural light. The arrangement gives work a clear place within the room while leaving space to read, sit or look away from the desk.

A table on the terrace offers an outdoor counterpart to the dining room. From there, the image story opens into meadow and a wider landscape of trees, hills and water. These final views return to the idea that holds the project together: a home whose setting remains part of the experience of being inside.



A considered film gives the rooms, details and setting of a home time to be seen together. Edward George Studio transforms existing property photographs into cinematic films, with tailored creative direction, natural movement and music. Explore our work to discover how we could bring your home into focus.